Returning

The last month may be the longest blog break I’ve ever taken. It wasn’t intended, but it happened. Which is life, right?

Or maybe it’s my reflexive response to the current political insanity. Yes, I’m still obsessed with the news and spend a lot of time working to keep myself centered and using my energy to resist the dismantling of so much of what I’ve taken for granted as norms of democracy and living in a country inching its way towards true social justice.

At a party this weekend I talked about how meaningless my blog seemed to me after the election. How could I write anything that wasn’t directly political and pushing back against the madness engulfing us? Why write about the apple blossoms filling the trees and then salting the ground around my garden as the flowers start to fall apart?

“Because that’s exactly what we need,” one friend said. “We need to read about apple blossoms.”

It has been an extraordinary year for blossoms. From the forsythia bushes to cherry trees to apple trees to dandelions to lilacs, everything is having a bumper year of flowering. There are maple trees on my running route that have such thick clumps of red seed pods (also called samaras, maple keys, helicopters, whirlybirds or polynoses) they look like tropical blossoms, heavy and full as they nod towards the ground.

Yesterday afternoon I sat on the back deck steps for a few minutes, looking across my garden beds to the lilac bush intermingling with the largest of my apple trees. I could hear a catbird and finches singing. Every time I walked towards the small wood shed on the side of the barn a robin screeched from its nest at the top of one of the posts, trying to distract me from what must be a clutch of pale, blue eggs. The yard is an unbounded aviary (which actually would make it not an aviary at all, but you know what I mean), full of birdsong and nests and the flash of wings.

The world is still beautiful. I’m still resisting (15 acts of resistance a week — phone calls, emails, meetings, discussions) but I’m also still writing and drawing and turning over the soil and planting and picking bouquets for the house.

I’ve learned this before but have to keep learning it again. Bad things happen, but birds and trees and bushes don’t care. The sun comes up and spring comes on and the grass gets green and then grows again and the cows return to the pasture across the street, as they did today, right now come to the corner right across from my porch, as they do most evenings.

That’s reason enough to celebrate.

 

 

 

Posted in Art, Flowers, Gardening, Life Changes, Outdoors, Seasons, Writing | Tagged , , , , , , , , , | Leave a comment

Deathaversaries: When Dates Line Up

 

This deathaversary season (what Adrienne, Sam and I call the anniversary of Eric’s, or anyone’s, death) has felt harder than other years. Or do I say that every year? I don’t think so.

The accumulation of other losses, the spread of grief in my circle of friends and family from those losses, and the communal dismay of the majority of Americans at the continued display of arrogant greed, racism, sexism, homophobia, xenophobia (okay, I won’t go on forever) among the white fuckboys currently trying to run/ruin our country all contribute I’m sure.

But I suspected dates were lining up in a way to remind exactly of what was going on 11 years ago, when Eric was diagnosed with metastatic cancer just before Passover. I was right.

David and I had a busy weekend, spending time with my family to celebrate Easter in a decidedly secular way then coming home to host a Seder with a group of friends we’ve been celebrating Passover with for many decades.

Wasn’t this the weekend in April 2006 that we had a much diminished Seder after Eric got home from the hospital with his grim diagnosis? We’d planned to host the Seder with friends that year, but had called it off earlier in the week when we understood Eric’s back pain and accelerating fatigue was from bones full of cancer. Instead of a dozen friends seated around the table, we had a small family Seder, using a two minute Haggadah someone had sent to Adrienne. Eric sat at the head of the table as he always did at Seders, leading the ritual telling of the story of the Jew’s exodus from slavery in Egypt, embellishing the minimal text with his own knowledge of Jewish history and custom.

Yesterday afternoon when David and I got home I pulled out my folder of calendars and wasn’t surprised. Yes, the dates line up. The day Eric got home from the hospital in 2006 was Friday, April 14. We had our small Seder on April 15. This year David and I hosted our Seder on Sunday, April 16.

No wonder I’m feeling the presence of sorrow. The 2006 calendar is repeating. The sun is at the same angle, birdsong is rising out of the fields in the morning at the same pitch, the brook out back is running high and hard, and the red buds on the maple tree out front are fattening into their familiar, fuzzy flowers. On some level, my body takes this all in and connects it with that scared and bewildered body 11 years ago.

There is a difference in the Jewish calendar though. Passover is ending today, not beginning as it was in 2006. Tonight I’ll light a Yahrzeit candle, which I just learned is a tradition on the last night of Passover.

How fitting.

 

Posted in Family, Grief, Life Changes, Light, Moving On, Seasons, Time | Tagged , , , , , | 2 Comments

Deep Cuts: In Trump-Adjusted Terms

Detail of One Story At A Time by Kim Rugg

“In Trump-adjusted terms, I’m fine.” That was the answer a woman gave on a podcast I listened to this week when asked how she was.

Perfect! I thought. A way to skip the usual five minute greeting of yes, things are okay for me except I’m completely freaked out about the ongoing circus that our federal government has become — the meanest, freakiest, scariest circus ever — and half the time feel like I can hardly breathe. Now we can just give our TAT score.

In TAT I’m doing well, in part because I saw the Deep Cuts exhibit at the Currier Museum of Art on Wednesday.

An attractive part of delving into visual art for me is the absorption in making something with my hands, beyond my fingers on the keyboard as I write. Most of my writing time these days is editing anyway, which doesn’t even mean many keystrokes — mostly I’m reading and sifting.

Time spent weaving a collage of newspaper strips or cutting blocks of words or gluing beads to a piece of paper for a pressure print as I listen to music can feel like slow snow — a suspension that’s going to amount to something at some point, and the creeping pace to that place feels just right.

But the level of detailed suspension in a head space of meticulous making displayed in the Deep Cuts exhibit is breathtaking. It can take me an hour or more to fuss with the strips of newspaper I weave to make a collage, painstaking for a relative newbie like me.

Then I saw Kim Rugg’s collage in the exhibit, “One Story at a Time,” and understood painstaking on a whole other level. Her work is a reconstruction of the front page of the NY Times after dissecting it letter by letter and pixel by pixel. The letters are put back together by alphabet, starting with all the a’s and preceding to z.

Detail of Altered Text: Unbearable Lightness of Being by Youdhi Maharjan

Detail of I am the rejection of you by Ambreen Butt

 

Youdhi Maharjan cut every single letter out of pages of Kundera’s The Unbearable Lightness of Being, along the exact lines of the letter, then massed them in a central column that runs through the excised pages pasted on either side. The letters are all discernible and black — you can see each letter in the cut spaces also, glowing gold from the background of the collage.

Ambreen Butt cut and collaged pieces of rejections letters — her own and others she got from friends — into a 10 foot circle that looks like an alternative sun. It’s beautiful, a source of light from an unexpected globe.

This is just a taste of this mind-blowing exhibit. Where do these artists’ brains go during the hours upon hours upon hours of exacting work? The same place my own brain goes as I continue to massage 85,000 words into a book constructed of the exact right words in the exact right places?

Whatever that place is, in TAT, being in that headspace myself, or looking at the marvels artists make from that space, makes everything better.

 

Posted in Art, Writing | Tagged , , , , , , , , | 2 Comments

Early Spring Tableau

My desk as this early spring afternoon slips over to dusk — Belvenie on the rocks, in a lovely tumbler Eric bought. He would approve.

My sketch book with a drawing of tulips I bought yesterday. Last week I figured out how to draw a leaf turning over on itself; I followed the contour line through the flip, added a bit of shading, and there it was. I’m practicing, still drawing almost every day.

Not Sunday. Under the sketchbook is my bib from the NYC half marathon, on its way to getting pinned on the decidedly not-decorator-worthy-wall of homasote in our bedroom from back in the days David was seeing if the room would work as a studio. It didn’t. But having a wall of fiberboard to tack up race bibs and Emilio drawings and sketches and poems and cards and posters is too wonderful a thing to take down. Two weeks ago David put up homasote over the art desk in my study.

As I ran down the West Side Highway towards the Battery on Sunday, sun on my face and the wind at my back, I knew I was probably going to make it to the finish line fast enough to qualify for the race next year, but my right knee and left thigh and left, blistered foot hurt.

So I let them go. I remembered what Sam told me after he ran an 11 mile trail race a few weeks ago. Describing his fastest stretch, running downhill after a grueling, steep-as-shit climb, he said, “I was flying. My body was gone.” A faster song came on my playlist and I picked up my pace.

1:58:17. That’s 31 seconds slower than last year. I’ll take it. It gives me 3 minutes and 43 seconds to come under the 2:02 qualifying time next year, and the year after I’ll be 65 and get another 10 minutes. With my time on Sunday I’d have been fifth in the 65-69 age group. The number of women running dropped from 162 in the 60-64 group to 53 who were 65-69. Two thirds fewer. Can I keep running into that age group? That fast?

In the first years after Eric died I would have laughed at myself for making plans to place in races two years out. Where do plans get you?

But I like the idea that by keeping myself on the road I could get closer to winning, even though being able to run 13.1 miles is winning enough.

 

Posted in Family, Life Changes, Running | Tagged , , , , , , | Leave a comment

#daylightsavingstime

The Truth About Death
Cover painting “Grace” by David

My conversation with Adrienne about daylight savings time started on Instagram. Under her photo of scrambled eggs and coffee she wrote daylight savings is weird. #theend. When I commented I want my hour back she replied every year! Time for the poem from 10 years ago!

Yes, Adrienne has listened to me complain about this lost hour all her life. It’s such a let down after that extra hour (bonus galore!) we get in October.

I’m not alone. Twitter is full of complaints today. Mamas, how are your #daylightsavingstime naps going? (Accompanied by a photo through a door of a child standing in a crib playing with a mobile.) I remember those days.

And, as always on Twitter, there’s politics and humor. You didn’t lose an hour of sleep # just redistributed it to someone who needed it.
Losing an hour of sleep means you have to sleep in, right?
I woke up and it was like noon wtf
low key wishing we lost the next four years vs one hour of sleep last night.
so do i have one more or one less hour to be high today?
Well, at least the clock in my car is right again…

There was a suggestion we all chill out by Relaxing Back Into Soothing Stillness w/this

Here’s what I had to say about it ten years ago, the poem Adrienne recalled. I wrote it the weekend Sam and I helped her move to live with Matt in NYC. March 2007, in the midst of the writing fever that produced The Truth About Death, less than a year after Eric died. I could feel the raw pain coming up off the pages as I looked through the manuscript for this poem. What a time.

Moving

Our daughter is going to the epicenter, someone is always
going somewhere, I can’t make small talk, I talk too much,
I am following the little red car, I can do anything I want,
I am a sparrow feeding in the bushes, the promised manna,

such pain to get here. Highways, cars, family, the irrevocable
center, flip your hand, wave off the evil eye, not evil, scary.
There is a blue balloon floating, this song is the tits, this song
is the bee’s knees, it’s if I had wings. I’m still mad

about the hour they took away two weeks ago. There are bells
ringing, it’s 6:00 p.m., the boys are watching college hoops,
the buildings out the window fall down in cubes, gardens
tucked into ledges, trees and statues below, a lion and a nymph

holding bounty, a set table in a room of glass, birds, planes
lifting west. I dance with a maenad, I dance by myself, drive fast
with my family. A lovely and ancient tradition. At dinner we discuss
predictive text, our son never finds his phone, our daughter’s lover’s

mother knows the pre-revolutionary Russian for lovely,
beautiful – veeleekalyepnah. When she found her grandfather’s book
of Torah commentary it opened to her son’s portion. Go forward
and be a blessing unto the world. Never enough, never enough.

Posted in Family, Grief, Life Changes, Moving On, Poetry, Time | Tagged , , , , | Leave a comment

Bookmaking

 

This slideshow requires JavaScript.

I’ve been making books (the first definition of bookmaking is someone who takes bets –those of us making actual books come in second).  I’ve learned how to fold sheets of paper into zines and bind pages with the five hole pamphlet stitch. Next week I’ll learn caught loop binding and then on to coptic binding, a beautiful braid of stitches to hold a book together.

I’ve been making phone calls. My goal each week is 15 acts of resistance, which include making collages and going to meetings but mostly calls to Senators Hassan and Shaheen with occasional calls to Annie Kuster. My message is basically the same — resist the Trump autocracy/hypocrisy/treachery flavor of the day. I also make regular calls to McConnell’s office because his particular brand of partisan bullshit cowardice is particularly infuriating to me. Sometimes I even get through. When I don’t, there’s no way to leave a message. Of course.

I’ve been drawing. Every day. I’m bound to get better.

I’ve been getting smart feedback on my memoir manuscript from incredibly generous friends (you know who you are) which has made my writing brain fire off in flashes of insight that I know will lead to a tighter, stronger, more dynamic book. Part of yesterday was spent making lists of what’s coming and going in the next draft — getting ready to dive back in.

I’ve been writing pushback against injustice. Yesterday I sent off a column to the Concord Monitor pointing out the absurdity of arguments against a bill to protect trans people from discrimination; opponents claim it will lead to women being assaulted in bathrooms. I’ve had it with the “bathroom bill” idiocy. NH’s bill to add gender identity to the anti-discrimination law isn’t about bathrooms and the opposition isn’t about protecting women. Let’s be real — the bill is about justice and the opposition is about bigotry. HB 478 — call your NH House Rep to support the bill today.

I’ve been running. According to my training plan I’m running 11 miles this morning. That means my legs won’t do much else today. My gratitude for a body strong enough to still be running long distances is deep, but I definitely feel the difference between a body that’s 60 and a body that’s 63. Hopefully it will all stay on track for the NYC Half Marathon on March 19. Can I run a time qualifying half marathon again? I’m sure going to try.

I’ve been making collages. I’ve made a book collage of collages inspired by Ta Nahesi-Coates’ essay in The Atlantic, “My President Was Black.” The article describes a concert and party the Obamas had at the White House in October, a farewell celebration. It was presented by Black Entertainment Television and was primarily a party for black people — black performers, black guests, black luminaries.

It was a joy to read about, black people having a party at the White House. A house built by black slaves.

But I know there are people in this country, not the majority but enough of them, who couldn’t stand the idea of a black family in the White House, much less that family celebrating there. The White Fuckboys particularly couldn’t stand it.

Now the White Fuckboys are trying to run the country though they’re not having an easy time of it, partly because their treachery keeps catching up with them and partly because of the organic rise of resistance that’s swept across country.

Let’s keep it up. We have no choice.

This slideshow requires JavaScript.

Posted in Art, Justice, Running, Writing | Tagged , , , , , , , , , , , | Leave a comment

Is Every Point Turning?

 

NYTimes 2-15-17

NYTimes 2-15-17

The double whammy this week of Mike Flynn’s resignation, followed by the NY Times, and then CNN, reports of extensive contacts between the Trump campaign and Russian intelligence, felt like a turning point.

But turning to what? Whatever it is Trump is hiding finally being exposed? The cowardly party-before-country anti-patriots of the Republican Congress seeing that they really do need to serve as a check on Trump to save our democracy? The emergence of some sanity from the White House?

I fear not. While those of us firmly planted in a stance of resistance applaud news reports that chip away at the credibility of Trump as President, where is this all taking us? Though that’s not the point, actually.

The point is to tell the truth. Truth! Who knew that would become such a difficult concept to hang on to.

Whatever this week was, and whether we’ll look back and see this was the turning point, or one of the corners we rounded, on our way back to a safe, tolerant, respectful and proud country it certainly felt profound and important.

So I wove together stories and images from the NY Times published on Wednesday, which featured the story on the Trump campaign contacts with Russian intelligence on the front page and a full page story on the resistance. I once again didn’t — haven’t yet and don’t intend to — use Trump’s face, though this collage features many faces: women protesting, Elijah Cummings (D-MD), John McCain, Pence, Spicer. And then a hulking black figure over a dark path leading from a government building.

But the thing is, when I make collages only from newspapers it’s difficult to get past the dullness of newsprint. I showed the collage to David this morning and talked to him about the visual effect and he said, “This is the artist in you growing. You see what needs to be different.”

So now I’m thinking about how to highlight elements of newspaper collages in ways that have a stronger visual effect — adding color and shading  and my own outlining.

A turning point.

Posted in Art, Justice | Leave a comment