Birdsong Yahrzeit

My relationship with birdsong is complicated. The music, the signal of rising light and warmth and nesting and babies of all sorts returning is intoxicating.

But it’s forever stamped in my mind with the explosion of cancer cells in Eric’s body, the cancer that killed him. He first started to seem sick in early spring, just as there was enough light to get out for a run before we both had to leave for work in the morning. Stepping out on the porch every day I heard more and more birdsong.

Then one morning as we headed up the small hill past the cemetery to the dirt road that turns into a woods road that turns into nothing, Eric touched his chest and said, “I think I pulled a muscle swimming the other day.”

I thought who pulls a muscle in their chest swimming but buried the thought. We both  became adept at denial over the next month, as he got sicker and more consumed with pain and we kept acting like this was an inexplicably recalcitrant bad back.

It was a body full of cancer and by early May he was dead.

Everyone who knows me knows this story. How does it become more than just another story of someone losing someone they love? Especially now, when there’s a whole new category of how to lose a loved one? Maybe recognizing cycles and honoring them is a story we all need.

Yesterday morning I had a committee meeting of the land trust board I’m on and I did the Zoom call on my porch. Other people on the call could hear the birds in my yard and there were texts about the birds, asking what they were. I know I have robins, sparrows, chickadees, mourning doves, bluebirds, mockingbirds and bob-o-links in the pastures across the street.

But when I was asked what the song was punctuating the call, I didn’t know. I pay attention to the birds in my yard, but I’m not sure I want to be able to name the ones that mark the descent into illness for Eric.

I feel like a write a yahrzeit post every year on the anniversary of Eric’s death. But I know I don’t because I checked, and it’s now over a week past the day he died and I’m just getting this post up now. Maybe I was waiting to deal with the birdsong.

This is the first poem in my book about losing Eric, The Truth About Death. I’ve posted this poem before and I’ve certainly talked about losing Eric before. But as I said, maybe that’s the point, to remember that life has cycles and cycles and learning to turn with them can leave us in a better place. Like listening to and appreciating birdsong.

Birdsong

Now the song varies, mocking chains of notes,
the catbird flying from maple branch to fence post.
All spring I noticed the rise in birdsong
as we went out each morning, stronger chatter,
the brakes off, cells dividing and dooming themselves.
I sit in your chair, I wear your clothes, your ring.
I talk to your photographs. I watch the sky,
watch birds in the yard and realize how many flocks
I’d missed. For weeks I washed you, watched you,
lay next to you, all we could do was touch hands,
all you could do was whisper, your eyes black
morphine disks. Yet you turned back for me.

Happen In Darkness

I woke to a dusting of snow and the chatter of birds. A robin has made the old maple tree outside my study window his morning hang out, caroling notes that rise and fall — cheer-up, cheerily, cheer-up, cheerily.

Cheer-up is a needed but sometimes hard to heed message these days. But it does remind me of an old poem, written so long ago the room that is now my study wasn’t built yet and the body in the poem has been gone for 14 years. Still, the message is the same. Life moves in cycles. No matter where we are right now, we won’t always be here.

Happen In Darkness

There’s this sense of diving in
as blackbirds flock back to my feeders
and poppies break old ground
as my body comes in line
to reach for yours
with a single urgency that rises
as the sun does earlier
and earlier in what feels
like a long rush back
to the long hot hum
of a summer afternoon
already past the zenith
we’re traveling to now
aware all along
of what can and will
happen in darkness.

Yom Kippur Visitation

Photograph by Todd Henson https://toddhensonphotography.com

Tuesday I looked out my study window as I talked on the phone. In the dim light I could make out a blue heron standing on the top of a tall white pine tree. It seemed a strange place for a bird I normally see flapping wide wings across the sky or standing in shallow water, waiting to snatch a fish.

But it was almost dark, almost the beginning of Yom Kippur, so it made sense. Here was Eric, in his usual guise of one of the birds he loved most, planted in my view, helping me usher in the solemn day.

Yesterday morning at Temple I was talking to a friend, catching up on news while we waited for services to start, when a young woman approached. She circled around to stand where I could see her face.

“Excuse me,” she said, stepping forward, and told me her name. I greeted her, then was honest and asked how I knew her because I couldn’t remember. “Did you used to be married?” she asked, clearly not sure she had me right after I told her my name.

“Yes, I was married to Eric Schain,” I said, knowing that was the connection she was looking for. She smiled. She’d had Eric as a Temple School teacher and loved him. She’d thought she recognized me from all those years ago and wanted me to know how important he’d been to her as a Jewish child. Her mother had taught with Eric. They were big fans of each other, sharing a love of Judaism and a commitment to passing along their traditions.

The young woman and I chatted for a few more minutes — she wanted how Adrienne and Sam were doing and told me her mother died two years ago. Another parent gone too young. As we parted she again told me how much Eric had meant to her and held her hands in prayer beneath her chin, made a small bow with her head, then lifted her face and put a hand over her heart.

Sometimes I wonder why I still make a point to get to High Holiday Day services. I consider myself a secular Jew — attached to the holiday and festival celebrations I shared with Eric, traditions at the center of the family life we built together. But I’m not observant or religious and often squirm during services at the frequent mentions of God, as if there’s an embodied being behind life.

But once again I was reminded why I was there, why I keep this observance in my life. It’s where I find Eric.

That’s It For the Zinnias

Saturday night was the second hard frost, two nights in a row. The wilted zinnias I left when I pulled out the brown basil in the morning, thinking they might revive if the temperature pulled back up into the 40s or 50s for a few nights, were hopelessly deflated when I went out to the garden yesterday.

So the bouquet on my desk, and the one on the kitchen table, are it for this year. No more fresh blossoms every couple of days, one of my favorite summer treats. Not surprisingly, I wrote a poem about this 25 years ago, published in my chapbook Fever of Unknown Origin. And here I am writing ,about it still.

FIRST FROST

That day my hands smell of wheat,
by evening yellow-green
from tomato vines.

All night zinnias age on the table,
blackening their water
as ducks blacken the dawn.

Four Years and Infinity

I had a short visit with Ava this past weekend, meeting up with family at a disc golf course, on our way home from a vacation on Cape Cod. Ava and I hung out by the road, on a picnic table in the shade of tall maple trees. We played with a princess sticker book and played school and of course she was the teacher. At one point a loud motorcycle went by and Ava covered her ears.

“Smart move,” I said. Which led to a story from Ava about a time she was in a field and had to cover her ears because she heard “100 motorcycles or infinity, or actually both numbers at once.”

Yesterday was the four year deathaversary of my sister Chris. Four years! It feels like ten and it feels like four and it feels like infinity. Maybe so many people I love have died that one grief bleeds into the next and each loss feels like forever.

My sister Meg called me yesterday to let me know she was going to visit Chris’s memorial bench. She planned to paint some rocks to put on the bench and wanted to know if I had a message I wanted her to put on a rock.

“I do,” I said. “But I feel like it’s selfish.” When she asked me what it was I told her I wanted to say, “I miss you.”

“That’s not selfish,” Meg said. She’d called our sister Jeanne earlier in the day and Jeanne had the exact same message. “And I planned to write ‘We all miss you,'” Meg said.

The memorial bench isn’t always there when family goes to visit it. Perched on top of a sea wall, looking out over Minot Beach to the ocean in Scituate, MA where my sisters and I grew up, the bench gets knocked over and tossed around by storms.

But the bench was in place yesterday, and Meg was able to bring painted rocks. Peace, Love, Thinking of You, and We Are All One, which is the message Chris chose to have on her bench.

We all miss you.

 

Milk

I’m finally home reliably enough to get milk from my neighbors. I’m a lucky woman that I live next door to Jersey cows that produce more milk and cream than the dairy family can use. The fact that such a rich and delicious food is produced 100 yards from my house feels miraculous to me.

Life has been full of left turns this winter. David and I were unexpectedly away from home for much of the last few months, away too much to drop off my empty milk bottles at the farmhouse across the brook so they could reappear the next day, the pale yellow cream at the tops of the bottles already half way to butter. I’ve missed that sweet milk and the rhythm of it.

There was more I missed. I planned to spend much of the winter pulling together a manuscript for a Vermont College of Fine Arts Conference workshop this summer. But family illnesses overrode those plans and I just cancelled my enrollment in a week-long workshop with Matthew Dickman. That would have been a terrific week, with a wonderful poet and teacher and the feedback of the other workshop members. The VCFA Conference is magical — a week with kind and interesting people who are also devoted  to writing.

But I don’t have a manuscript. The time I’d planned to use to sort, revise and write poems into a book shape  was spent in cars and hospitals. And by now I’m sure I won’t have a manuscript ready to send in by the deadline of July 1. Well into my second week of being home without any major interruptions, I still have no creative focus. I can weed perennial beds and make granola and do a spring clean-up and purge in the basement of the barn. But I can’t focus on anything that requires sustained  creative thinking. I haven’t regained the drive that makes my own work the most important thing I can be doing. I got used to there always being something that really was more important.

But I’m home. David is home too. And we’ve been here long enough to trade our empty bottles for milk.  I’ll skim the thick cream off the top and start a batch of yogurt. The cream I’ll churn into butter.

Back to my delicious routine. May it spread.

Displacement

Distant ocean view from my desk

Here I face east and see the ocean, a blue mass that fills the horizon beyond the bare trees and rooftops, down the hill to the long flat spit of sand that makes the beach. At home I face west and look at cows, pastures and a distant line of pine and hardwoods.

I’ve purposely displaced myself. I want to see what I see when I’m looking at a new view, sleeping in a different bed, tapping at my keyboard in different light. My sister and her husband are off on an adventure to Australia and New Zealand, which means their comfortable house on the coast is empty and quiet and perfect for a writing retreat.

Whatever it is I let distract me when I’m home won’t be here. I can’t make plans to see a friend or go to an appointment because I’m away. I can’t reorganize the cupboards or pick out a new paint color for the bathroom. I can’t straighten the house or put the ski boots away. I’m also good at following rules I set for myself and I came here to write, so I’ll write.

Yesterday I finished an OpEd and sent it off to the paper. I wrote a poem and I’ll write another one today. I’ll open the documents of poems I’ve been writing for the last month and fiddle with those. I’ll read the books of poetry I brought with me — The Big Book of Exit Strategies by Jamaal May, When My Brother Was An Aztec by Natalie Diaz, Midden by Julia Bouwsma — mostly to enjoy the poems but also to see what I can learn about writing that directly confronts injustice and harm to people of color. I’ll sort through the poems in the manuscript I worked on last winter to see what will fit in the new book I’m working on which, in a sea change for me, isn’t centered only on grief and recovery. Or is it the same book, just completely reimagined?

It doesn’t matter. There’s paper and pens and a computer and books and time. Time to write.

 

Birthday Dreams

Astrocytes in the Brain
An Ava & Mimi collaboration

Early Wednesday morning I was being chased by creepy men in a nightmare. I’d been able to run away, along with some other women, until a large, blond, overweight man caught up to me. I looked at him and thought calling to my friends, who were somewhere in front of me, was my best chance of safety. I was terrified.

“Help,” I managed to squeak out, which was some kind of noise loud enough to wake David, who then woke me. Even awake the palem bloated face of the man in a short sleeve, patterned knit shirt stayed in front of me. I shook myself, got up to pee, then went back to sleep.

It wasn’t until later on Wednesday that I remembered the nightmares Eric had in the last year of his life. His whimpering and muffled cries would wake me. I’d sit up and shake him, and he’d rise from his dream to tell me about some ghoulish figure pursuing him. Months after Eric died I remembered those nightmares and wondered if they came from his body warning him that his cancer was back and blooming. There was a menace chasing him. The dreams started before we knew how sick Eric was, probably about the time the cancer got a foothold in his liver and bones.

Wednesday was Eric’s birthday. He would have been 67. A friend texted me early in the day to say she was going to eat a piece of candy in his memory — he had a pronounced sweet tooth. Candy was a way of life; Twizzlers and Peanut M&M’s were favorites.

I texted Adrienne and Sam about candy and Eric’s birthday and we all committed to Eric-inspired indulgences some time that day. Adrienne gave Emilio and Ava candy after dinner and told them it was to remember Grandpa Eric, who would have made sure they had access to sweets if he’d lived long enough to know them.

Ava said, as she ate her chocolate, “but we can’t call Grandpa Eric. He’s dead.” Emilio said, “we’re eating candy to remember Grandpa Eric because he loved candy. But can we not talk about him being dead. It’s almost my bedtime.”

Eric lives on, along with anxiety and pleasure and joy and connection and candy and dreams.

The night after the nightmare I had a long dream about Eric. He was just around. Being in life.

 

A New Year, Another Year

I sit in Temple, listening to the familiar Rosh Hashanah prayers. Eric is beside me, in his brown and black tweed sports jacket, reading along with the Hebrew. He taps me on the shoulder and points at something in the text, some letters I might recognize. He wants to teach me to read Hebrew.

Except he isn’t and he doesn’t and he won’t. This is the 13th Rosh Hashanah when he hasn’t sat beside me, but I still feel him there every year.

Today I sat behind a family I’ve known since Eric and I joined the Temple in 1981. Two daughters, a husband and wife. The older daughter is Sam’s age and they went through Temple school together. The mother worked in the same hospital as Eric and was principal of the Temple school for many of the years Eric was a teacher.

They switched seats often during the service, standing for a prayer and then shifting around. They chatted and put their arms across each others’ backs and tapped hands and leaned against a shoulder off and on. I loved watching their connection and affection and wondered what it feels like to have the same husband for all those years, to have your mother and father still together, to have a family unit uninterrupted by loss.

My kids and I have the kind of connection and affection I witnessed today, but there’s that hole that never goes away. We’ve walked a long way through our grief and are all living lucky lives in so many ways. But still, there’s a particularly piercing sadness during these High Holy Days that meant so much to Eric. I think about how life would be if Eric was still here — would we all be together at the Temple, would we each be living where we are now, with the same partners, the same work?

Probably not for most of those questions. But I still have Eric’s jacket and it’s back hanging in my study, a trick I thought of two years ago. I can almost see him in it. He’s smiling, watching me at my desk, happy to know I’m writing, happy to know that the kids and I are okay.

Sometimes we’re sad, but we’re okay.

 

Lichen On His Stone

I hadn’t been to visit Eric’s grave for a long time. Six months? More? I’m quite sure there was no lichen on the rose granite headstone the last time I was there.

Now there is. I thought, this looks like an old grave. I thought, this is beautiful. Eric loved mosses and lichens, the small plants and organisms that add richness to the world’s green.

How long does it take for lichen to take root on granite? Or how long does it take before I’d notice that lichen has crept into the carving of Eric. And January. The Hebrew letters too.

The stone has been there since April 2007. Many lichens grow less than a millimeter a year, so these could have been growing on Eric’s stone all along.

I’d like to live in a room painted the pale sage of the lichen on Eric’s stone. It’s almost the color of Squam Lake water over white sand. Eric would love that lapping at his grave.