A Gift

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The waning moon hangs in the sharp morning sky, a pale reminder of its full self in darkness two nights ago, now surrounded by high, wind-thinned clouds and low, dark ones. The wind is cold, coming at my face where it’s bare between my hat and neck warmer. This is winter and it’s my first time out in it.

It’s my first time outside since Friday, a day spent celebrating with family, which included time on the porch of Chris and Jon’s house, bringing back all the mornings I drank my coffee there this summer.  Keeping with the family tradition of Christmas at Chris’s, Jon and his boys hosted the family dinner, which was delicious and lovely and sad.  I know the hole a loved one leaves lessens over time, or takes up less of the available awareness in any given moment, but this hole is fresh and big.  And Adrienne and Matt and the grandkids weren’t there because Adrienne had a stomach bug that sent them straight home after Christmas morning at my parents’ house, meaning they didn’t come back to NH after dinner at Jon’s.

But it was warm and sunny.  Porch weather.  I’m glad I took advantage, because the stomach bug got me that night, and I barely got out of bed on Saturday and got out of bed but not out of the house yesterday.  Two days of illness makes the simple act of waking up with enough energy to walk towards a waning moon feel like a gift.

Which, of course, it is.

Eleven, Twelve — Double

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December 18

Guitar music comes up the stairs. David is playing.  He hasn’t painted since April. I’m building a standing art desk next to my writing desk, a space to turn and make things with materials, not words, colored papers and pens and boxes of cards and catalogues I’ve been collecting for years to use for collages.

Which means emptying a book case so I can run the new desk into the corner. Already my date books are in a box in the barn.  Next go my journals. What do they say?

March 6, 1979: I confront Jim, a nasty and misogynistic roommate who lived with Eric and me in a house we rented from Lynne Cherry in Marlborough, CT. Lynne sometimes spent a night or two there, had slept with Jim one weekend, but now she was angry at him, he hadn’t paid his rent.  She asks us to talk to him so I do.

I don’t back down when he tries to placate me. At one point I just kept talking back at him, wouldn’t shut up – making him face my anger & he told me to leave his room – we had a stare down & he couldn’t budge me – I loved it.

One journal has no date on the cover and my entries don’t even have the day of the month: saturday evening, sunday evening, thursday, saturday early afternoon, friday, the next tuesday may 24 – ah, a date. Still no year and no upper case letters. I think it was 1977. Who needed to know the day of the month in 1977? Not me.

I write a lot about writing. Needing to get possessed. Art desk.

December 19, 2015

When I sit on the end of my bed to put on my shoes, I see a Great Blue Heron on the other side of the far farm pond in the cow pasture. A really big one.

Then I quick catch yet again that it’s not a heron. It’s not Eric. It’s the tall stump of a small tree that blew over two years ago, the wood bent forward in a thick figure of a heron.  Eric isn’t in every heron, though seeing a heron fly overhead or standing in water makes me think of him.

This summer when I was home from being with Chris for a few days a heron stood in the intersection of Canterbury Road and West Street for about 30 minutes. It didn’t move, other than to swivel it’s head. A car went by, in the lower part of the intersection several yards from the heron. The car stopped, then went on.

I kept watching. The heron stayed so long I stopped watching. Then I decided I wanted a photo and went to get my phone and a truck came and needed to make the turn up Canterbury Road and the bird lifted and flew away.

Chris has a story on her blog about a heron seeming to follow her one day, and thinking about herons are how Eric comes to me. The winter she learned she had cancer in the lining of her brain she was scared, but she told me Eric had visited her and been close and that felt comforting to her.  She wonders about magic — Birds are special; they can fly, they can soar and they can also put their feet on the ground.  Birds connect heaven and earth.  

 

Day Ten — Why I Cry When I Cook

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The boys are making lasagna for Christmas dinner, Chris’s boys. Chris has been hosting Christmas dinner for many years, and Jon wants to continue the tradition of the family gathering there and knew his boys would help with the cooking.

Which they are. But thinking about Matt making lasagna makes me cry. In early July we made our first trip to Stow to help, right after Jon emailed David and me to ask for advice about how to handle Chris’s growing infirmity and lack of awareness of how her illness was advancing. Our advice was our presence. David and I both knew you don’t do what Jon was doing alone.

Matt arrived two days after us.  Chris was still walking, though barely and mostly with someone beside her and helping her get up and down from her chair, where she spent most of the day.  She was having trouble hanging on to what was happening around her.

Jon and Matt and I had decided to make lasagna for dinner, and Matt and his girlfriend were putting it together as David and I got ready to go for a swim at the local lake, our regular release on those hot afternoons of confusion and sadness. Watching my hands plunge in to the green water below me, over and over, right then left then right then left then right brought me back to myself.  Or to familiar bilateral motion anyway.

“What’s going on?” Chris asked, because she could see the activity in the kitchen and it was confusing not to be part of it.  That was what she did, put together meals.  Why was it happening without her?

A couple of hours later, when she shuffled to the table where her other boys had gathered with their girlfriends, her face was blank. She was quiet, fallen out of the present, her eyes fixed, looking at another world.

It was light then, the summer evening still too hot, windows open to any breeze. Now it’s so dark and so hard to think about that blankness, how Chris disappeared before she disappeared.

 

Sadness Moving — Reflections

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When I write about grief and sadness my blog gets a lot of hits.  Same when I write about my travels.  What’s the connection?  What if I wrote about both at once?

Thursday I went to Boston to the Museum of Fine Arts, meeting up with my youngest sister Meg and her husband John and Chris’s Jon.  Family disappears so I’m hanging on.

Wednesday night I went to Portland to hear Ry Cooder and Ricky Skaggs play such accomplished music, accompanied on piano by Buck White (85 years old!) and his daughters singing exquisite harmony, I remembered how to be happy.

I’m hunting art.  Moving.  Years ago a friend from my work life spent a weekend here. She came to NH to do a half marthon with me so I would think she’d have known what she was in for.  But a day in to our visit, before all our mutual friends showed up as running support and talking-drinking-eating buddies, she watched me move around the kitchen as she sat at the table.

“You really can’t sit still can you?”

“Nope.”

For years she made a joke of the fact that 4 miles into the half marathon I abandoned her and moved off ahead.  I couldn’t run that slowly.  It hurt.

If I could slow down I would.

If all my reflections on life created an infinite pattern, I doubt it would be as beautiful as “Endlessly Repeating Twentieth-Century Modernism” by Joshiah McElheny.  His piece at the MFA is stunning and brilliant, a perfect, mirrored box of glass objects that reflect into an unending distance as each object holds its own jeweled reflections.

Now I’m wearing some of Chris’s jewelry along with her shoes and socks and jacket and jeans.

I’m not planning to go anywhere for a while.

We’ll see how long that lasts.

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Applesauce

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I pick apples, out of the trees, with a ladder now because the lower fruit is long gone, and off the ground, which is a treacherous carpet of drops that roll under my feet like ball bearings.

I fill an old woven reed basket my youngest sister Meg gave me years ago, a foot and a half across with a sturdy wooden handle and more than enough room to hold a sauce batch worth of apples.  This basket has held vegetables and fruit from my yard for decades. Lucky me.

I think about staying home for more than a few days in a row, or a week even, and I think I want to, but then don’t.  But when I am home for more than a day or two I find myself gathering apples and running them through the corer-peeler-slicer gadget that Melia brought home the weekend of Chris’s service and I’ve kept since. With an apple loaded on the pronged shaft, I turn the crank and magic happens — the apple comes out the other side of ingeniously arranged blades peeled, cored and sliced into thin rings.  The peel makes one long, looping coil.  I could dry the strings of peel, I could make jewelry or braided snacks.

I don’t.  I make sauce.  The slices go into my biggest pot then sit over a low flame for hours. The apples release their juice and then puff up into mushy versions of themselves before collapsing into a blendable pulp.  Northern Spy, Cortland, Macoun, Yellow Delicious — the different combinations create different flavors and levels of sweetness.  David and I taste the batches, like tasting wine. “This sauce isn’t quite as complex as the last.” “Yeah, it’s a little more flat.”  It’s all delicious.

I wondered, when I  came home in mid-September, how I was going to transition back into my own life, my own pace and schedule.  Applesauce never crossed my mind as the path that would lead me back, but I should have suspected, given how much of the little free time I had this summer I spent freezing local fruit — strawberries, peaches, blueberries.

As I clamp the peeler-corer-slicer to the counter with its vacuum base, I feel like I’m securing myself, grounded, my feet on my kitchen floor, looking out the windows at the now brown oak leaves that keep falling.  There are ten quarts of applesauce in the freezer and always at least a pint in the refrigerator.  Tomorrow I’ll probably make more.

Then go away again.

A High Bar

 

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I wear my sister’s socks and shoes, her jeans and a heathered purple Ibex hooded wool sweatshirt, a perfect layer for these cooler days.  Other women around my sister have taken scarves, sweaters, jackets, hats, gloves, shoes, socks, shirts and boots and they’re wearing Chris’s clothes too.  Pieces of her scattered across the eastern U.S.  It’s a comfort.

I’m not sad and surprised at my not-sadness and then I’m sad.  Today.  The bright trees, saturated orange and scarlet, russet leaching into the oaks, swatches of yellow that make tunnels of light in the woods, pull at me whenever I’m outside so I go outside a lot.

The farmer across the street has moved the hay feeder to the corner of pasture across the small dirt road from the house so I watch cows most of the day, right out my window or off the porch.  In the evening when the cows hear the tractor leave the barn with a new roll of hay they start to scamper and then gallop towards the feeder, two of the smaller ones butting heads.

“It’s weird, isn’t it,” my friend said to me last night at a poetry reading.  We were talking about readjusting our lives after loss — her mother died not long before Chris.  “We have more time now because someone is dead.”

True.  She doesn’t have her mother to visit everyday, trip after trip to rehab then the nursing home then hospice.  I don’t go to Stow for several days every week.  Being with Chris was the organizing principle of my life for months and I surrendered to it.   Helping the body of someone you love get to the end is so immediate and profound nothing else matters.

So what matters now?  I’m reevaluating what I used to think counted in light of certain death.  Because it is certain for each of us.  I’ve been right up next to it again and it’s a high bar.  What do I want to haul over?

Instructions From Chris

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The memorial service for Chris was Saturday.  Over two years ago when she was planning her service, she asked me to read a poem as part of it.  I did.

Instructions From Chris

“You could use this poem,” my sister says
when she asks me to read at her memorial.

She’s reread my book, found more darkness
than she wants, she knows people will cry

but even so, she’d prefer a celebration, more
ideas than despair. “This one towards the end,”

when grief first starts to curve away
and my sisters appear, musical, muscular hawks,

long, strong wings, a slice of sun.
I understand. She wants her own poem.

She is second of four, the smarter, prettier one
I could never catch, a life in preview.

But I do no better than what’s she’s written
herself; the space created when a book is lifted

from the table, an opening that fills with shadow
and chance, quickening, quiet. I delete, start over,

come back to her smile as she carries her hope
and illness before her, a globe in her hands.

I toast bread, open a jar of her strawberry jam, ruby
sugar, red as magic slippers, no place, home.

Memorials

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Chris died on Thursday evening as the family gathered around her, including David and I, took turns reading aloud from the Tao Te Ching.  We got home Friday afternoon, just before the long-planned arrival of Carol, my friend who lost her beloved life companion to cancer last winter.  As she came in to the kitchen Carol asked, “Are sure you’re ready for company?” and I said, “I’m ready for you,” because I knew we could both dive right in to talking about death and dying and grief and how do we move on in the face of sorrow and the absence of someone we love dearly.

Our friend Deb arrived the next day and we kept talking and cooking and crying and eating and coloring in my Crazy Paisley coloring book.  Yesterday morning we went for a walk out to the rock where I’ve been building cairns as a memorial for Eric since he died.  I told Carol and Deb the story, which I’ve told here on this blog, about the cairns accidentally being knocked over while the woods around the rock were being logged last summer, and how badly my neighbor who owns the land felt about that.  He erected a stone cross as a way to continue my ritual of using the rock as a memorial site, and also because he’d begun to use the rock as a place to remember and honor his father.

As we walked Carol told me she was looking for large, flat rocks to use in the memorial garden she’s creating for Steve in her yard in Delaware.  She’d shown us pictures earlier of the mosaic sculpture that sits among plantings of perennials and shrubs.  I started looking down as we walked, hoping to find stones she could use.

When we reached the rock with the cross and the beginnings of cairns being rebuilt by me, I stepped up on the top to put a couple more layers on the cairns.  From that vantage I could see that many of the rocks from the previous cairns had fallen in to a cleft in the middle of the rock, piled in a jumble waiting to be reassembled into towers.  There were a half-dozen that were large and flat, some speckled with tiny flakes of mica.

I asked Carol if she wanted any of the flat rocks for her memorial garden and she loved them all. So Deb, David, Carol and I walked back out of the woods carrying rocks, heavy but manageable.

Now Carol has taken rocks from Eric’s memorial cairns back to Delaware to become part of Steve’s memorial garden, and I’m carrying memories of Chris as I help make the arrangements for her memorial service.

It was a sad and glorious weekend, with striking blue skies and sharp air, gusty wind and sunshine glinting on the leaves of the trees, beginning to rattle with autumn dryness.  We looked at photos of Steve and Carol and me and my sisters and talked, talked, talked.

Getting ready to build again.  I’m going to start a cairn on the rock for Chris.

Today

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This is the day my grandson started kindergarten

This is the day the latest heat wave ended.

This is the day I tried to pick enough apples off my Golden Delicious tree so the branch that’s draped all the way to the ground can lift again.  A large branch has already broken off the tree, too much apple weight.  I didn’t succeed.

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This is the day I discovered the garden spider is gone, an egg sack left dangling from a bar of the wrought iron trellis the nasturiums climb.

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This is the third day my sister hasn’t eaten or taken liquids.

This is the day my grandson started kindergarten.

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Zinnias & Sisters

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Zinnias with garden spider

Bold and bright, sturdy and upright, zinnias have long been a favorite in my garden. They’re simple to grow, add splashes of magnificent color and vary in their design — from a single row of petals surrounding a protruding center of yellow stigma florets, to a dome of overlapping petals making a smooth surface of blossom.  These very different shaped flowers often come from the same plant, which is puzzling but delightful.

Zinnias are so not fussy and so satisfying.  White, chartreuse, orange, scarlet, peach, pink, fuchsia and lilac and too many shades in between to name.  Every year at least half my flower bed is devoted to them.  The summer Adrienne and Matt got married I grew extra. The table decorations at the reception were glass globe vases of zinnias, and there was at least one zinnia from my garden in each bouquet, a sweet touch. My sisters and I put the bouquets together the morning of the wedding, pulling stems from the florist’s buckets, and then one or two from my supply.  Jeanne, Chris, Meg and me, working together to decorate a happy day.

It was time for our family to have a happy day.  Eric had died two years before and Adrienne, quite wisely, had resisted my pleas those two years before to get married right away, have a baby, make something good happen.  As it turned out, everything happened exactly when it seemed it should, following the natural cycle of sorrow and recovery and beginning to understand how life flows on in its unrelenting dailiness, marked again at some point with bright days of joy, splashes of zinnias in a garden.

Yesterday I was home again from several days with Chris and her husband Jon.  Jon has been sorting through decades of photographs and gave me a picture of my sisters and me from a happy day several years ago, the four of us in a clear frame with the word “sisters” in varied fonts inscribed in silver around the photo.  I propped the photo in my study so I can see it from my desk, and went out to pick bouquets for the house.  Zinnias first.

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Why?  Zinnias pull me into appreciation.  This summer has been tough for my family, and a whole lot more than tough for Chris’s sons and their partners and Jon and my parents. I’m there to help as often as possible and home soaking up the colors of flowers when I can, remembering the bouquets I made with my sisters.  A room full of zinnias, a garden of bright blossoms, tables with joy in the center.