Here I face east and see the ocean, a blue mass that fills the horizon beyond the bare trees and rooftops, down the hill to the long flat spit of sand that makes the beach. At home I face west and look at cows, pastures and a distant line of pine and hardwoods.
I’ve purposely displaced myself. I want to see what I see when I’m looking at a new view, sleeping in a different bed, tapping at my keyboard in different light. My sister and her husband are off on an adventure to Australia and New Zealand, which means their comfortable house on the coast is empty and quiet and perfect for a writing retreat.
Whatever it is I let distract me when I’m home won’t be here. I can’t make plans to see a friend or go to an appointment because I’m away. I can’t reorganize the cupboards or pick out a new paint color for the bathroom. I can’t straighten the house or put the ski boots away. I’m also good at following rules I set for myself and I came here to write, so I’ll write.
Yesterday I finished an OpEd and sent it off to the paper. I wrote a poem and I’ll write another one today. I’ll open the documents of poems I’ve been writing for the last month and fiddle with those. I’ll read the books of poetry I brought with me — The Big Book of Exit Strategies by Jamaal May, When My Brother Was An Aztec by Natalie Diaz, Midden by Julia Bouwsma — mostly to enjoy the poems but also to see what I can learn about writing that directly confronts injustice and harm to people of color. I’ll sort through the poems in the manuscript I worked on last winter to see what will fit in the new book I’m working on which, in a sea change for me, isn’t centered only on grief and recovery. Or is it the same book, just completely reimagined?
It doesn’t matter. There’s paper and pens and a computer and books and time. Time to write.