The First Stage

The Coast to Coast walking book divides the journey into 13 stages. We’ve added a stage – actually getting to St. Bees where we start our trek, and contrary to plans, we’re not there yet. We’re at the Heathrow Sofitel Hotel in London, and while being here was never any part of what I imagined when thinking about this trip, I’ve been wanting to get David to a Sofitel for years, having stayed at the DC and Chicago Sofitels several times and loved them. It’s as lovely as expected.

We’re here for the most common of air travel reasons – we couldn’t get to England Friday night due to a huge cold front moving east, causing massive thunderstorms and wiping out the connecting flights that could have gotten us to an international flight. Instead of flying to Manchester Friday night, we flew to London yesterday morning This morning we’re heading into London to get a train to St. Bees. If plans work out this time, tomorrow we start the official First Stage.

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The Next Adventure

In 1973, Alfred Wainwright published “A Coast to Coast Walk” describing a 192 mile footpath across England.   The walk passes through three national parks; the Lake District, the Yorkshire Dales, and the North York Moors.  Tradition includes walkers diping their booted feet in the Irish Sea at Saint Bees and, at the end of the walk, in the North Sea at Robin Hood’s Bay.  We plan to do it all.

David and I leave tomorrow, and will meet up with six friends in Saint Bees to begin our walk on Monday.  Thirteen days later, on Saturday, July 7th, we should be in Robin Hood’s Bay.

We have a lot of walking to do over those 13 days, but we’re ready.  Our training walks around our house have taken us to a number of places I’ve never been, even though close by.   We’ve walked through Northwood State Park, over Saddleback Mountain to the second peak, on a trail created as an Eagle Scout project by a friend’s son.  We’ve navigated the many criss-crossing logging roads on Evans Mountain in Strafford, finding a rocky knob we’ve looked at on a topo map for years, but never reached before.  We’ve walked in pouring rain and on misty, showery days, trying out our rain gear.  We’ve walked the Northwood Area Land Management Collaborative (NALMC) trail across beautiful meadows at the top of Blake’s Hill.  So much walking has been centering and strength building and has conditioned us to the point that a 7 mile hike in yesterday’s blistering heat felt pretty much like nothing.

Which is good, because in a few days, that will be half the distance I need to go to get to where I’ll sleep that night.

Testing, Testing, This Is Only A Test

We’re in the last stages of packing for our walk across England, and I’m about to decide to leave my computer at home. But what about blogging? Well, I just downloaded the WordPress app again, even though it did mysterious things to my posts over the weekend, and I’m testing it right now. I’ll hit “done” and see what happens. If it works I can blog from my iPhone. Kinda cool. More about the trip tomorrow when I can type on a computer rather than this one finger tap dance on this little screen. (Yes, if I blog this way the posts will be shorter. That’s okay. I can tell you right now we’re going to be walking walking walking walking walking. Then walking some more and then drinking beer.)

Art Attack

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Just about four years ago, in our first months together, David and I planned an art trip, an “art attack,” my friend Andi called it.  We were going to see a couple of exhibitions at the MFA in Boston, then drive to the Hudson River Valley to visit Storm King Art Center, and then come home through western Massachusetts, visiting the Clark Art Institute in Williamstown and MASS MoCA in North Adams.  We got to all the museums, but it was a very rainy weekend and we decided to wait for better weather to visit Storm King.

We finally got there this week.  Planning our drive back to NH from Knoxville, we decided to treat ourselves and take our time to get home, staying in some lovely spots on the way.  The first night we stayed at the Hotel Strasburg, in the Shenandoah Valley, a wonderful historic inn full of antiques, paintings, and Victorian decor.  It was a welcome alternative to the big box hotels along interstates.

In planning our route home, David had realized we could visit Storm King, spending a night in another beautiful valley.  Storm King was as astonishing and inspiring as we’d expected.  Covering over 500 acres, the Art Center is full of outdoor sculptures situated on the beautiful grounds in ways that change perspective whether you’re looking at a piece from an open field, a picnic bench, walking one of the long allees (an allee is a planting of trees to form a long walkway; at Storm King there are 200 hundred pin oaks in one, 40 maples in another) or standing on the hill that holds the museum building.  Over an afternoon and morning of glorious weather, David and I took in the grand Mark di Suvero sculptures that dominate the fields, the stunning David Smith collection on the lawn by the museum building, the snaking walls built by Andy Goldsworthy, the constantly waving rods by Robert Murray, the contrasting color and form of mown lawn against tall native grasses, the sloping lines of distant mountains against the hills of the park, the beauty and grandeur of it all adding to the high we were already carrying home from the wedding.

The night after we left Storm King, at dinner, we started talking about our ideas for creating sculptures in the land around our house.  David has been thinking about outdoor art pieces for months; Storm King got me thinking about incorporating sculptural elements in my garden.  Wherever our trip home leads us in our art, it led us to a happy journey home.  And here we are.

Ridge Driving

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I pulled over into a small gravel turn off by a bridge, heading south on Rte. 340 in eastern Virginia.  David’s back needed a break after a good chunk of the day spent driving, and it was time to reconnoiter.  We’d gotten to the Shenandoah Valley later than we’d hoped (escaping the snare of traffic getting out of the NYC area to the southeast is never as easy or as fast as one hopes), and our plan to drive along the Shenandoah River at the head of the valley, then to go up on Skyline Drive for a leg of our trip before heading back to the interstate to spend the night, was looking tough to pull off.  We were hungry and it was going to start getting dark soon.

“Let’s just go up on the Skyline Drive for a bit to this point on the map,” I said, pointing to a dot marked Skyland.  “If we need to turn around, we can do it there.”  Driving through the entrance gate to Shenandoah National Park, which encompasses the Skyline Drive, we saw a posted sign naming the places to eat and sleep and camp along the road.  When we got to Skyland, we found a restaurant with a wall of windows looking out over the valley, the sun turning orange as it began to sink into the western ridge.  There was also a room available, with the same broad view of the  valley.  Rather than driving out of the mountains back to Interstate 81 to spend the night, we slept at Skyland Resort, at 3600 feet.

The next morning we woke to a view of mist hugging the snakes of the river below.  We did a short hike to the rocky summit of Stony Face Mountain, then continued to drive along Skyline Drive, almost all of which is above 3,000 feet.  The views were stunning.  In Waynesboro, Skyline Drive dips down into a gap and becomes the Blue Ridge Parkway, which we drove for the first 70 miles.  Again, stunning views, as the road swept back and forth and twirled around the ridge, views to the west, then views to the east.  Blooming mountain laurel made a pink hedge along some parts of the road, and at higher elevations there were trees of rhododendron of a deeper, almost fluorescent pink.  At one point we drove through a high meadow, with rolling fields and a view of a grand house sitting on a crest of land.

When we finally made our way back to the interstate to finish the drive to Knoxville, we agreed we want to finish driving all of Skyline Drive and the Blue Ridge Parkway sometime in the next five years.  Driving a ridge is a treat we’ll give ourselves again.

Multiplicity

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David and I did a quick tour of a few Chelsea art galleries on Wednesday, before leaving the city.  We walked into one gallery called ET Modern, with Edward Tufte books and articles and signs everywhere.   A nice man came up and handed us a booklet titled “Seeing Around Edward Tufte” and a flyer titled “Multiplicity.”

About a month ago, after hearing me talk about some of my current research interests and how to present information most effectively, David and John made sure I had The Visual Representation of Quantitative Information by Edward Tufte to read.  David has been a fan of Edward Tufte for years and has read two of his books.  A former professor at both Princeton and Yale, Tufte has been described by The New York Times as the “da Vinci of data” and by Business Week as the “Galileo of graphics.”

“Why all this Edward Tufte stuff?” David asked the two friendly men in the gallery.  “This is his work,” the man who had handed us the papers said.  “But what’s your connection with him?” David asked.  “This is his gallery,” the other man said.  “This is all his art.  This is his place.”  Delighted, David and I walked through the gallery, taking in the sculptures and video displays and installations.  I paid particular attention to the clear instructions on the wall.

Report From New York

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Kevin Spacey as Richard III, in a production by the Bridge Project out of The Old Vic in London, directed by Sam Mendes, was indescribably amazing.  As both the New Yorker and the New York Times noted in their reviews, Spacey is truly over the top in his portrayal of “Richard III,” and he pulls it off.  David, Anne, Steve and I were stunned by the brilliance of the performance and the entire production.  David and I cancelled our foodie dinner reservation for last night and went to see another play instead, because we were hungrier for more live performance than we were for fancy food.

Yesterday we saw “And God Created Great Whales,” a Culture Project production of a play created, composed and written by Rinde Eckert, who also stars in the play.  Eckert plays Nathan, an aging piano tuner/composer who is losing his memory while he’s trying to complete an opera based on Moby Dick.  The play was first performed in 2000 and again in 2001, 2009, and now.  Using a tape recorder to keep himself on track, and a muse embodied in a beautiful woman named Olivia (played by Nora Cole), Nathan explores music, memory, love, the meaning of life and time and space, and how art keeps us on track.  Not simple stuff, but layered through dialogue and music in a complex weave that made David and I clear we’d made the right decision to forego foodieness for another immersion in theater.

And then there’s the visual intensity of Manhattan, certainly different from Paris, but just as compelling.  The peeling walls and old plaster of the un-refurbished interior of the Brooklyn Academy of Music Harvey Theater revealed lovely old patterns, the NYC subway tile work is brilliantly decorative at many stops, the long avenues unfold into long views of what looks like endless city, Cafe Grumpy’s decorative capucinno is delicious, and the walk along the Hudson River Greenway yesterday was a grand reminder of the seaport origins of this magnificent city.

This was all swirling in my head as we left the theater yesterday.  I stopped and looked at the piano where Nathan had sat, fringed with sticky notes like a shawl of memory and music and bounded by a rope to help hold in his tenuous connection to the present.  The piano grinned like a secret from the stage.

Next Stop Chelsea

We’re in New York City for a 5 day big city treat, with big qualifying both city and treat.  Yes, we were just in Paris.  Yes, we are very lucky to be able to have these experiences.  Yes, we are aware of our great privilege and are savoring it.  We’re renting an apartment in Chelsea through AirBnB, and we have a private terrace, we can see the sky, hear the city roar out the windows, and are about to go check out Cafe Grumpy, arguably the best coffee shop in Manhattan.

 

 

On top of all this, we spent the morning with Emilio.  Life is good.

Travel Friends

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We walked into the front room of Musee Carnavalat, the Paris history museum, the Gallery of Signs, where old wrought iron signs advertising shop wares for a partially illiterate population by depicting what was for sale, hung from the ceiling and walls.  The museum is free, and no tickets are needed, which isn’t true of all the free museums in Paris.  At the Musee de la Vie Romantique, we’d walked in the front door and were met by a ticket taker, who sent us back to the office to get our free tickets.  Which were then torn along the narrow perforated edge and handed back to us.  The tickets to the Museums of the City of Paris all have images on the back — a pot of tea by a stack of books with writing papers, a view of a columned building, a photograph of a woman from what looks like the 40’s, sitting facing backwards in a chair, her elbow leaning on the chair back with her chin on her hand, flouncy blouse sleeves billowing around her shoulders.  Perhaps the point of the tickets is the images.

At the Musee Carnavalet, we were told no tickets were needed, but there was a long line of people at the front of the gallery.  I heard a couple talking in the line, clearly from the U.S., and asked them, “Do you know what this line is for?”  We started talking and figured out it was a line for the audio guide.  As we were getting ready to start into the museum, the woman asked, “Where are you from?”, we answered, and ended up in a 20 minute conversation that concluded with an invitation to have dinner, their treat, with the couple.  “We’re staying at the Crillon,” the man said.  “Meet us at 8:00.”   David had been looking the Hotel Crillon online a few nights before, researching the names of people he’d seen on stones by the Place de Concorde, and we’d been laughing at what it would be like to stay at a hotel where room prices start at 450 Euros and a suite can cost up to 1,000.

The couple was friendly, generous, and clearly delighted to have us join them.  “Thank you so much for inviting us,” we said as we all sat down to dinner in the elegant dining room, wait staff buzzing around us.  “It’s our pleasure,” they said.  “We have no social life.”  They laughed.  They live in the U.S., have apartments in London (he works a good bit in the UK), Bermuda and Florida (“but they’re all very small,” she said), and were in Paris for the weekend.  We believed them, that it was a treat to have another couple to talk with at dinner, and though there was a pretty vast difference in economic situations, and some clear political differences between us, we had a lively conversation, along with excellent food and two bottles of a 1988 red wine, which neither David or I came remember the name of, but recognized as outstanding.

On the list of things to do in Paris that I’d made earlier in the week was having a drink at the Hotel Meurice, a suggestion from a friend for a way to experience the opulence of a top end hotel in Paris. So after our unexpected dinner at the Crillon, we stopped at the Meurice,  just up the street from the Crillon, on our way back to the apartment.  We ordered drinks and soaked up the extravagantly decorative surroundings, as the soft tones of the piano and bass jazz being played filled the room.  David drank his Abelour and I drank my mint tea, and we thought about how lucky we are.

Art Drunk

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In the past week we’ve been to seven museums, all rich with art and history, full of beautiful objects and stunning paintings, celebrations of creativity and the pleasures and challenges of visual representation of the experience of the world.  And we’ve done it in a city that’s like a giant museum, with street after winding street cobbled in stone and lined with charming boutiques.  Or boulevard after boulevard lined with grand palaces, ornately decorated with gargoyles and statues and bas-relief sculptures and lit up at night, the Eiffel Tower glittering like a giant sequined dream in the distance.

Yesterday we went to Musee Carnavalet, the Museum of the History of the City of Paris, housed in two old mansions, full of paintings and furniture and drawings and dioramas.  We walked through the Marais using the tour in the Lonely Planet, admiring the grand 16th and 17th century buildings that line the streets.  In the Musee Cognacq-Jay there were rooms and rooms and rooms, in another old mansion, with the incredible art and furniture of a wealthy family.  The inlaid and lacquered wooden tables were stunning.  The day before we went to Musee l’Orangerie, which houses an outrageously gorgeous collection of Impressionist paintings, including two large oval rooms wrapped in huge canvases of Monet’s water lilies.

Today, at the Pompidou, France’s National Museum of Modern Art, I finally felt drunk on art.  At one point I just walked through rooms with paintings by Picasso and Derain and Matisse and Kandinsky and Miro and felt like I couldn’t take in one more drop of visual stimulation.  So here’s a small sampling of art I’ve caught on my iPhone (sometimes surreptitiously, like at the Musee D’Orsay where you’re not supposed to take photos, but everyone does).   I need to get to bed, not just because we have to be up early tomorrow to catch the train to the airport.  I need to sleep this Art Drunk off.